Syftet med denna typ av insticksmoduler är att förse användaren med de verktyg som behövs för att grafiskt skapa en webbsida. De används idag av både frilansande designers och webbyråer som vill öka sin kostnadseffektivitet, men även av sådana som inte har någon erfarenhet alls inom webbutveckling. Page builders är insticksmoduler till Wordpress, dessa blir ett allt mer populärt verktyg inom webbutveckling. To secure a place for their stage works at the Opéra and to guarantee a public triumph, therefore, it is not surprising that composers such as Donizetti, and especially Meyerbeer, the leading composer of French grand opera, composed or revised their operas for particular singers. With such power a singer could easily hold a new opera for ransom, forcing the composer and librettist to revise, excise or otherwise alter the work to some self-serving end. A beloved singer could – and did – ensure an opera's success simply by appearing in it, or doom it to failure by refusing to appear. The Opéra became a temple and its singers, adored gods and goddesses. During the Opera's ‘golden age’, a bourgeois public, tired of political upheaval and economic uncertainty, found escape in the new ‘romanticè fare of the Opéra, and elevated the singers who strode its boards to what today is called ‘star status’. 3DVIA COMPOSER TEXTURES PROFESSIONALBy the 1830s, European singers had achieved professional status, and a singing artist of high calibre could find the Opéra a perfect venue in which to flex muscle. A fifth collaborator, the singer, is not often cited as such in the literature, but in many ways wielded the greatest power in the creation of Parisian operatic works. Above them loomed the directeur, who laboured to ensure that his creative team had the means to produce their æuvres both in materials and human resources, and to guarantee that the Opéra made a profit from the finished products. The nature of so-called ‘grand opera’ demanded that composer, librettist and stage designer work closely together for the sake of a creation larger than the sum of its parts. It is well known that mounting large-scale productions at the Paris Opéra during the 1830s and 1840s was a highly collaborative effort. A long-term goal for Composer is to develop the application into a shared decision-making tool that allows translation of comparison and analysis from a clinician-facing interface into visual representations to communicate treatment options to patients. Although Composer was designed using patient data specific to orthopedic research, we believe the tool is generalizable to other healthcare domains. Conclusion We have developed a prototype cohort analysis tool to help clinicians assess patient treatment options by analyzing prior cases with similar characteristics. Using Composer's current iteration, we provide a usage scenario for use of the tool in a clinical setting. With Composer, analysts can dynamically define a patient cohort using demographic information, clinical parameters, and events in patient medical histories and then analyze patient-reported outcome scores for the cohort over time, as well as compare it to other cohorts. We developed the tool in an iterative process with our collaborators to develop and refine functionality. Methods In collaboration with orthopedic surgeons and researchers, we defined domain-specific user requirements to inform the design. The goal of our project is to help researchers analyze outcomes of procedures and facilitate informed decision-making about treatment options between patient and clinician. In this article, we introduce Composer, a visual analysis tool for orthopedic surgeons to compare changes in physical functions of a patient cohort following various spinal procedures. Objective Visual cohort analysis utilizing electronic health record data has become an important tool in clinical assessment of patient outcomes.
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